Tag Archives: Heather McIntosh Interview

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Sideshow & Tell 03/04/2016

Welcome friends to episode 36 of Sideshow & Tell, your weekly film music news brought to you by Ian Crabb! In this week’s newscast, Ian discusses the latest film music releases including first, on vinyl, By the Sea by Gabriel Yared, and a 2-disc limited edition of Forrest Gump by Alan Silvestri, from Music On Vinyl, The Little Prince by Hans Zimmer and Richard Harvey, from WaterTower Music, Zoolander Number 2 by Theodore Shapiro, from Lakeshore Records, and finally, the 1952 Ivanhoe by Miklos Rosza, from Soundtrack Factory. Ian also brings us the news that friend of the show, the amazing composer Heather McIntosh is going to be scoring the upcoming indie drama, ‘Rainbow Time’, and this week’s SAT ends as always, with Ian’s pick of the week from a record label we all know and love, Varèse Sarabande!


1:03 By the Sea

3:15 The Little Prince

5:02 Forrest Gump

6:40 Zoolander No. 2

8:27 Rainbow Time

10:46 Ivanhoe

14:02 Pick of the Week


Interview with Heather McIntosh, Part 1

Interview with Heather McIntosh, Part 2

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Interview with Heather McIntosh, Part 2

Here is the second and final part of our exclusive interview with the beyond glorious composer Heather McIntosh! Heather discusses her incredible recently released score to Z for Zachariah, developing a language with filmmaker Craig Zobel, working at a video store, watching horror movies, the very first film score she bought, listening to The Cure in high school, her favourite film composer, and her three favourite films of all time. This is not to be missed, enjoy the show!

Sideshow Sound Radio Title Card Artwork for our Film Soundtrack Podcast

Interview with Heather McIntosh, Part 1

In this week´s interview, boy do we have a treat in store for you! We have part 1 of an exclusive interview with composer Heather McIntosh! Heather discusses touring with Lil’ Wayne, collaborating with director Craig Zobel on Compliance and Z for Zachariah, making the Oscar shortlist, how visiting the set informs her writing, being a huge Joy Division fan, handling temp scores, manipulating and experimenting with sound, and developing her musical language.