Greetings and welcome to Episode 23 of Sideshow Sound Radio, host Wend is joined from two hours in his past by Jen Wolff, and one hour in his future by Megan ‘Deets’ Culley, to discuss how time is represented in the scores of four films: Arrival by Jóhann Jóhannsson, Harry Potter and the Prisoner of Azkaban by John Williams, Inception by Hans Zimmer and Interstellar by Hans Zimmer, along with a few honourable mentions.
Remember, don’t drive and score!
3:13 – Arrival
28:12 – Harry Potter and the Prisoner of Azkaban
50:15 – Inception
1:09:08 – Interstellar
1:35:00 – Honourable Mentions – (Looper, Back to the Future) Dr. Strange, In Time, Alice Through the Looking Glass
A huge bidding of welcome to you internet to episode 63 of Sideshow & Tell, your weekly-ish mini newscast where the amazing Ian Crabb brings you all the hubbub, shenanigans and tomfoolery from the world of film and television music, composers and movie news! This week Ian discusses the latest releases including The Crown by Rupert Gregson-Williams with a main theme written by composer Hans Zimmer, from Sony Music and Madison Gate Records, Jason Bourne by John Powell and David Buckley, from Music On Vinyl, Planet Earth II by Hans Zimmer, Jasha Klebe and Jacob Shea, from Silva Screen Records, Penny Dreadful: Seasons 2 and 3 by Abel Korzeniowski from Varèse Sarabande, Nocturnal Animals by Abel Korzeniowski, from Back Lot Music and physically from Silva Screen Records, and finally, Arrival by Jóhann Jóhannsson, from Deutsche Grammophon. Ian finishes up SAT63 with a cracking pick of the week from the gaming world and the musical talents of the brilliant composer Sarah Schachner and there’s a brief appearance by scallywags Will and Wend to announce more Star Wars Score Guides and how you can be a part of them!