Rebels, it’s time to let old things die! A belated Happy New Year from the Score Guide team, welcome one and all to our 9th Star Wars Score Guide! In celebration of the recent cinematic release, it is time we talk Star Wars Episode VIII – The Last Jedi, and the stellar score by composer John Williams!
Join Captain Wend, his co-pilot Will Dodson and hopeless droid Claude back on board the SSR-15 as they discuss the latest movie in the Star Wars saga, The Last Jedi! Supported by their expert band of Rebels*, your hosts guide you through the soundtrack release, discussing, analysing and chestbeating over the surplus of old themes, new themes, surprising motifs, jaw-dropping orchestration and their favourite musical moments from this latest action showpiece!
*We want to give a GALACTIC thank you to our strongest Rebel Alliance yet for dropping musical bombshells and insights that made this episode one of our greatest to date: Dane Walker, Megan Culley, Joscha Sauerland, Jennifer Wolff, Mike Watson, Mark Carman, Matthew Brown and Jamie Burns.
Star Wars: The Last Jedi Walt Disney Records (2017)
0:00:00 – Skit
Featuring Jamie Burns, Xander Stobbs, Will Dodson, Megan Culley, Wendell Jones & Ian Crabb
0:09:53 – 1. Main Title and Escape
0:22:07 – 2. Ahch-To Island
0:27:59 – 3. Revisiting Snoke
Rebel: Dane Walker
0:36:13 – 4. The Supremacy
0:40:44 – 5. Fun With Finn and Rose
0:43:59 – 6. Old Friends
0:46:49 – 7. The Rebellion is Reborn
0:50:35 – 8. Lesson One
0:54:21 – 9. Canto Bight
Rebel: Megan Culley (Professional Story Topper)
0:58:16 – 10. Who Are You?
58:57 – The Death Star Motif
1:03:08 – 11. The Fathiers
Rebels: Joscha Sauerland and Megan Culley (Starkiller Base Sanitation)
1:09:37 – 12. The Cave
1:13:54 – 13. The Sacred Jedi Texts
1:17:53 – 14. A New Alliance
Rebels: Jennifer Wolff and Megan Culley (Professional Rey Defender)
1:25:04 – 15. Chrome Dome
Rebel: Megan Culley (President of the Vice Admiral Holdo Fan Club)
1:30:28 – 16. The Battle of Crait
Rebels: Mike Watson, Dane Walker and Mark Carman
1:43:04 – 17. The Spark
Rebels: Matthew Brown, Joscha Sauerland, Jennifer Wolff and Dane Walker
1:57:42 – 18. The Last Jedi
1:59:37 – 19. Peace and Purpose
2:03:55 – 20. Finale
Rebels: Joscha Sauerland and Megan Culley (Confirmed Nerd)
2:16:10 – How It Should End Credits by Jamie Burns
Join Wend and smuggler co-pilot Will Dodson live onboard their trusty rustbucket, the SSR-15, for the finale of their three special Score Guides and last episode of 2016!
In celebration of the release of Rogue One: A Star Wars Story movie, they continue their look back at the prequel trilogy finishing today with the grammy-nominated Star Wars Episode III – Revenge of the Sith, composed and conducted by a man who without which Star Wars would be left wanting, maestro John Williams.
Your hosts traverse the marvellous musical web John Williams spun, navigate his many themes and motifs, old and new, highlight their favourite moments in each cue and take you the listener on an informative and entertaining track-by-track ride through the soundtrack release with the help of their splendiferous, ever-growing Rebel Alliance*.
Enjoy the musical exploration of their favourite score in the prequel trilogy in the latest Star Wars Score Guide!
*Special thanks to our strongest Rebel Alliance yet who helped us make this trilogy of episodes end on a high note by illuminating their most treasured cues with such amazing prowess: Joscha Sauerland, Jennifer Wolff, Rob Rawdon, Benson Farris, Ian Crabb, Jamie Burns, Megan Culley, Todd Horan and Dane Walker.
Star Wars Episode III: Revenge of the Sith Sony Classical Records (2005)
0:00:00 – Skit
Featuring Will Dodson, Wendell Jones, Rob Dodson, Andrew Steele, Xander Stobbs & Ian Crabb
0:010:56 – 1. Star Wars and The Revenge of the Sith
Rebel: Joscha Sauerland
0:17:16 – 2. Anakin’s Dream
0:22:28 – 3. Battle of the Heroes
0:30:24 – 4. Anakin’s Betrayal
Rebel: Jennifer Wolff
0:37:16 – 5. General Grievous
0:40:06 – 6. Palpatine’s Teachings
Rebel: Rob Rawdon
0:43:20 – Comparison with ‘Snoke’ from The Force Awakens
0:48:10 – 7. Grievous and the Droids
0:50:17 – 8. Padmé’s Ruminations
1:00:07 – 9. Anakin vs. Obi-Wan
1:04:50 – 10. Anakin’s Dark Deeds
Rebels: Benson Farris, Ian Crabb, Joscha Sauerland, Jamie Burns
1:14:04 – 11. Enter Lord Vader
1:15:50 – 12. The Immolation Scene
1:20:40 – 13. Grievous Speaks to Lord Sidious
1:24:00 – 14. The Birth of the Twins and Padmé’s Destiny
Join Wend and smuggler co-pilot Will Dodson live from onboard the cockpit of their trusty and reliable SSR-15, Corellian Class Cruiser, for the second of three special Score Guides!
In celebration of the upcoming Rogue One: A Star Wars Story movie, they are continuing with their look back at the prequel trilogy today with Star Wars Episode II – Attack of the Clones, composed and conducted by film composer John Williams, with the welcome return of the London Symphony Orchestra and London Voices.
Guiding you through cue by cue with the help of their amazing Rebel Alliance*, your hosts discuss themes, motifs, instrumentation, textures and YES…that guitar solo.
Enjoy a pleasant, stress-free musical journey onboard the SSR-15 in our latest Star Wars Score Guide!
*Special thanks to our proud Rebel Alliance for making this episode a whole lot better with your amazing commentaries and incredible instincts: Arthur Breur, David Klein, Rob Rawdon, Todd Horan, Jennifer Wolff, Ian Crabb, Dane Walker, Joscha Sauerland, and Benson Farris.
Star Wars Episode II: Attack of the Clones Sony Classical Records (2002)
0:00:00 – Skit
Featuring Xander Stobbs, Will Dodson, Wendell Jones, Andrew Steele, Rob Dodson & Ian Crabb
0:09:31 – 1. Star Wars Main Title and Ambush on Coruscant
0:12:19 – 2. Across the Stars (Love Theme from Attack of the Clones)
Rebel: Arthur Breur, David Klein
0:20:43 – 3. Zam the Assassin and The Chase Through Coruscant
Rebel: Rob Rawdon, Todd Horan
0:33:02 – On the Conveyor Belt (Target exclusive bonus track)
0:35:01 – 4. Yoda and the Younglings
Rebel: Jennifer Wolff
0:39:20 – 5. Departing Coruscant
0:41:57 – 6. Anakin and Padmé
0:46:42 – 7. Jango’s Escape
0:51:22 – 8. The Meadow Picnic
Rebel: Ian Crabb
0:56:13 – 9. Bounty Hunter’s Pursuit
0:59:54 – 10. Return to Tatooine
Rebels: The 4 Dane Walkers, Jennifer Wolff
1:04:41 – 11. The Tusken Camp and The Homestead
Rebel: Ian Crabb
1:14:49 – 12. Love Pledge and The Arena
Rebels: Joscha Sauerland, Benson Farris
1:22:32 – 13. Confrontation with Count Dooku and Finale
Join Wend and smuggler co-pilot Will Dodson in orbit of that lovable dustbowl Tatooine live from onboard the spick-and-span cockpit of our old faithful, SSR-15 Corellian Class Cruiser, for the first of three special Score Guides!
In celebration of the upcoming Rogue One: A Star Wars Story movie, we are taking a look back at the prequel trilogy starting today with Star Wars Episode I – The Phantom Menace, composed and conducted by film composer John Williams, and performed by the world’s most recorded orchestra, the London Symphony Orchestra along with the equally important London Voices.
With the help of their Rebel Alliance*, your hosts gush over memorable melodies, magnificent motifs, and revel in all the awe-inspiring orchestration and choral work, while at the same time, having the most fun two podcasters could ever have!
Go strap yourselves in, get comfortable and enjoy our latest Star Wars Score Guide!
*Special thanks to our Rebel Alliance for making this episode truly awesome with their remarkable commentaries, musical instincts and Jedi reflexes: Arthur Breur, Tiffany Jordan, Joscha Sauerland, Todd Horan, Jennifer Wolff, Megan Culley, Ian Crabb, Rob Rawdon, Dane Walker and Jamie Burns.
Star Wars Episode I: The Phantom Menace Sony Classical Records (1999)
Star Wars Episode I: The Phantom Menace – The Ultimate Edition Sony Classical Records (2000)
0:00:00 – Skit
Featuring Xander Stobbs, Ian Crabb, Andrew Steele, Will Dodson, Rob Dodson & Wendell Jones
0:09:26 – 1. Star Wars Main Title and The Arrival at Naboo
0:14:47 – 2. Duel of the Fates
Rebel: Arthur Breur
0:23:16 – 3. Anakin’s Theme
Rebels: Tiffany Jordan, Arthur Breur, Joscha Sauerland, Todd Horan, Jennifer Wolff
0:30:02 – 4. Jar Jar’s Introduction and The Swim to Otoh Gunga
0:32:36 – ‘The Arrival of Baby Harry’ (Harry Potter and the Philosopher’s Stone)
0:35:18 – 5. The Sith Spacecraft and The Droid Battle
Rebels: Megan Culley, Jennifer Wolff, Ian Crabb
0:39:55 – 6. The Trip to the Naboo Temple and The Audience with Boss Nass
0:42:42 – 7. The Arrival at Tatooine and The Flag Parade
Rebels: Rob Rawdon, Arthur Breur
0:46:48 – 8. He is the Chosen One
0:50:46 – 9. Anakin Defeats Sebulba
Rebel: Dane Walker
0:59:49 Anakin is Free (Disc 2 Track 1 – The Ultimate Edition)
Rebel: Jamie Burns
1:02:32 – 10. Passage Through the Planet Core
1:04:57 – 11. Watto’s Deal and Kids at Play
1:07:37 – 12. Panaka and the Queen’s Protectors
1:10:54 – 13. Queen Amidala and the Naboo Palace
1:13:27 – 14. The Droid Invasion and The Appearance of Darth Maul
1:18:10 – 15. Qui-Gon’s Noble End
1:21:00 – 16. The High Council Meeting and Qui-Gon’s Funeral
1:23:12 – 17. Augie’s Great Municipal Band and End Credits
Will and Wend are joined by host and producer of Cinematic Sound Radio, Erik Woods, to discuss their favourite score of this century in our Halloween Score Guide of 2016!
The trio discuss the 2002 sci-fi thriller Signs by James Newton Howard. Guiding you through this sensational, supernatural film score, track-by-track, in the most entertaining and informative way they can, they cut back the crops to explore themes, motifs, instrumentation, textures, and those marvellous musical moments that leave them giddy with excitement!
Don’t be afraid…it’s time to board up your windows, lock your pantry door, head down to the basement, and talk film music!
Signs Hollywood Records (2002)
06:59 – 1. Main Titles
11:15 – Camille Saint–Saëns ‘Danse Macabre’
13:38 – 2. First Crop Circles
22:05 – 3. Roof Intruder
31:05 – 4. Brazilian Video
36:15 – 5. In the Cornfield
43:38 – 6. Baby Monitor
48:29 – 7. Recruiting Office
53:36 – 8. Throwing a Stone
59:38 – 9. Boarding Up the House
1:07:18 – 10. Into the Basement
1:12:52 – 11. Asthma Attack
1:18:28 – James Newton Howard on Creating the Score
Rebels, welcome one and all to another special Star Wars Score Guide! There has been an awakening. Have you felt it? In celebration of the recent Blu-ray release, it is time we talk Star Wars Episode VII – The Force Awakens, and the welcome return of composer John Williams!
Join Captain Wend and the coolest cat this side of Coruscant, Will Dodson back onboard the SSR-15 as they discuss the latest movie in the Star Wars saga, The Force Awakens! Supported by their trusty band of Rebels*, your hosts guide you through another amazing score by the maestro, discussing and geeking out over all the new themes, old themes, songs, orchestration and their favourite musical moments from this latest masterpiece!
So much anticipation, heaps of expectation, but did Williams rise to the challenge? Of course!
If you enjoy this episode as much as we enjoyed making it, then you’re in for one hell of a ride!
*The GREATEST of thanks to our Rebel Alliance who helped make this episode as great as it is, and continue to support us with their musical insights and amazing film music analysis, it is very much appreciated: Dane Walker, Chad Hopkins, Erik Woods, Rob Rawdon, Ian Crabb, Andrew Steele, Tiago Gomes, David Klein and Joel Griswell!
Star Wars: The Force Awakens Walt Disney Records (2015)
0:00:00 – Skit
Featuring Xander Stobbs, Will Dodson, Andrew Steele, Ian Crabb, Rob Dodson & Wendell Jones
0:09:34 – 1. Main Title and The Attack on the Jakku Village
Rebels: Dane Walker, Chad Hopkins
0:19:17 – 2. The Scavenger
0:23:43 – 3. I Can Fly Anything
0:28:27 – 4. Rey Meets BB-8
0:30:39 – 5. Follow Me
Rebel: Erik Woods
0:37:27 – 6. Rey’s Theme
Rebels: Rob Rawdon, Chad Hopkins
0:43:28 – John Williams on Rey’s Theme
0:45:58 – 7. The Falcon
Rebel: Ian Crabb
0:51:16 – 8. That Girl with the Staff
0:54:49 – 9. The Rathtars!
0:57:17 – Star Wars Celebration Audience Trailer Reaction
Rebels, we welcome you to our third and final special Score Guide! In celebration of the upcoming Star Wars: The Force Awakens movie, we are taking a look back at the original trilogy finishing today with Star Wars Episode VI – Return of the Jedi, composed by the maestro, film composer John Williams.
Join Wend and his smuggler co-pilot Will Dodson for one final time this year onboard their trusty SSR-15 Corellian Class Cruiser as they discuss the last film in the greatest trilogy that has ever graced the silver screen, Return of the Jedi! Supported by their band of Rebels*, your hosts guide you through this incredible score, discussing all the themes, orchestration, songs, alternate cues and concert suites for you to listen through while lining up to see The Force Awakens!
Enjoy our final episode and have a BLAST watching the new film! May the Force be with you!
*HUGE thanks to our Rebel Alliance for making this episode the musical delight it is, with their astute observations, words of wisdom and sticking it to the Empire: Rob Rawdon, Dane Walker, Charlie McCarron, Chris Lyndon, Benson Farris, Xander Stobbs, Tiago Gomes, David Klein, Ian Crabb, George Shaw, and Travis Elder.
Star Wars Episode VI: Return of the Jedi Sony Classical Records (2004)
0:00:00 – Skit
Featuring Will Dodson, Ian Crabb, Xander Stobbs & Wendell Jones
0:08:50 – Rebel: Rob Rawdon
0:10:18 – 1. 20th Century Fox Fanfare (Alfred Newman, 1954)
0:10:29 – 2. Main Title/Approaching the Death Star/Tatooine Rendezvous
0:14:21 – 3. The Droids Are Captured
0:16:33 – 4. Bounty for a Wookiee
0:18:54 – 5. Han Solo Returns
0:20:35 – 6. Luke Confronts Jabba/Den of the Rancor/Sarlacc Sentence
0:23:43 – 7. The Pit of Carkoon/Sail Barge Assault
Rebel: Dane Walker
0:28:13 – 8. The Emperor Arrives/The Death of Yoda/Obi-Wan’s Revelation
0:32:43 – 9. Alliance Assembly
0:34:38 – 10. Shuttle Tydirium Approaches Endor
0:38:22 – 11. Speeder Bike Chase/Land of the Ewoks
0:41:53 – 12. The Levitation/Threepio’s Bedtime Story
Welcome Rebels! Join Wend and his smuggler co-pilot Will Dodson once more onboard their trusty SSR-15 Corellian Class Cruiser for the second of three special Score Guides! In celebration of the upcoming Star Wars: The Force Awakens movie, we are taking a look back at the original trilogy continuing today with Star Wars Episode V – The Empire Strikes Back, composed by the legendary film composer John Williams.
The Empire Strikes Back is one of the greatest film scores ever! Williams and the LSO are unstoppable, is there anything they can’t do?! With the support of their musical Rebel Alliance*, your Rebel hosts guide you through all the major and minor themes, leitmotifs, and stellar orchestration of this remarkable score one week before The Force Awakens hits movie theatres!
Click PLAY to enjoy our GREATEST episode to date!
*Many thanks to our Rebel Alliance for making this episode extra special with their astute observations, words of wisdom and sticking it to the Empire: Charlie McCarron, Erik Woods, Jason Hess, Tiago Gomes, Travis Elder, Xander Stobbs, Ian Crabb, Benson Farris, Dane Walker, Chris Lyndon and George Shaw.
Star Wars Episode V: The Empire Strikes Back Sony Classical Records (2004)
0:00:00 – Skit
Featuring Will Dodson & Wendell Jones
0:05:14 – 1. 20th Century Fox Fanfare (Alfred Newman, 1954)
0:05:25 – 2. Main Title/The Ice Planet Hoth
0:10:59 – 3. The Wampa’s Lair/Vision of Obi-Wan/Snowspeeders Take Flight
0:15:59 – 4. The Imperial Probe/Aboard the Executor
0:18:50 – 5. The Battle of Hoth
0:24:44 – 6. The Asteroid Field
Rebels: Charlie McCarron, Erik Woods, Jason Hess, Tiago Gomes, Travis Elder
0:33:01 – 7. Arrival on Dagobah
0:36:31 – 8. Luke’s Nocturnal Visitor
0:38:10 – 9. Han Solo and the Princess
Rebels: Xander Stobbs, Ian Crabb
0:42:12 – 10. Jedi Master Revealed/Mynock Cave
0:45:05 – John Williams on working with orchestrator Herbert Spencer
0:48:45 – 11. The Training of a Jedi Knight/The Magic Tree
0:51:04 – 1. The Imperial March (Darth Vader’s Theme)
Rebel: Benson Farris
0:53:54 – 2. Yoda’s Theme
Rebels: Dane Walker, Chris Lyndon
1:00:12 – 3. Attacking a Star Destroyer
1:01:06 – 4. Yoda and the Force
Rebel: George Shaw
1:04:17 – The Force Awakens Trailer
1:06:01 – 5. Imperial Starfleet Deployed/City in the Clouds
1:07:01 – 6. Lando’s Palace
1:08:19 – 7. Betrayal at Bespin
1:10:16 – 8. Deal with the Dark Lord
1:12:03 – 9. Carbon Freeze/Darth Vader’s Trap/Departure of Boba Fett
1:13:15 – John Williams and George Lucas at the Spotting Session
1:16:02 – 10. The Clash of Lightsabers/The Stormtroopers are Coming
Join Wend and his smuggler co-pilot Will Dodson onboard their trusty SSR-15 Corellian Class Cruiser for the first of three special Score Guides! In celebration of the upcoming Star Wars: The Force Awakens movie, we are taking a look back at the original trilogy starting today with Star Wars aka Star Wars Episode IV – A New Hope, composed by the legendary film composer John Williams.
Considered one of the greatest films and film scores of all time, Star Wars has pervaded the public consciousness more than any other movie franchise and is very much the peak of film music! With the help of their Rebel Alliance*, your hosts discuss all the strong themes, motifs, and memorable musical melodies that make up our beloved genre’s historically most important score and have an absolute blast in the process!
So jump onboard, strap yourselves in and enjoy our best episode to date!
*Special thanks to our Rebel Alliance for making this episode truly special with their astute observations, words of wisdom and sticking it to the Empire: Charlie McCarron, Ian Crabb, Chris Lyndon, Benson Farris, Xander Stobbs, Rob Dodson, Tiago Gomes, George Shaw and Dane Walker.
Star Wars Episode IV: A New Hope Sony Classical Records (2004)
0:00:00 – Skit
Featuring Xander Stobbs, Will Dodson & Wendell Jones
0:04:52 – 1. 20th Century Fox Fanfare (Alfred Newman, 1954)
0:06:07 – 2. Main Title/Rebel Blockade Runner
0:09:08 – 3. Imperial Attack
0:14:18 – 4. The Dune Sea of Tatooine/Jawa Sandcrawler
Rebel: Charlie McCarron
0:20:07 – 5. The Moisture Farm
Rebel: Ian Crabb
0:23:26 – 6. The Hologram/Binary Sunset
0:26:09 – 7. Landspeeder Search/Attack of the Sand People
0:29:13 – 8. Tales of a Jedi Knight/Learn About the Force
0:32:51 – 9. Burning Homestead
0:36:21 – 10. Mos Eisley Spaceport
0:38:21 – 11. Cantina Band/12. Cantina Band #2
Rebels: Chris Lyndon, Benson Farris, Xander Stobbs, Rob Dodson
0:45:22 – 13. Binary Sunset (Alternate)
0:47:35 – 1. Princess Leia’s Theme
Rebel: Tiago Gomes
0:51:31 – 2. The Millenium Falcon/Imperial Cruiser Pursuit
Join Halloween hosts Will and Wend this Hallows Eve for another Halloween Score Guide on the 1993 sequel, Addams Family Values by Marc Shaiman.After discussing this film score‘s predecessor The Addams Family, last Halloween, we thought it the perfect time to return to our delightfully fearsome and frightening family of Addams and guide you all through the spooktacular soundtrack that ‘Shaiman the Showman’ provided for it….a film composer we’ve been dyyying to talk about once again! Enjoy the show and happy Halloween!
Addams Family Values: The Original Orchestral Score Varèse Sarabande (1993)
It is time once again to talk about a composer we’ve barely mentioned on the show. Join Will & Wend in San Ricardo for their score guide to the 2011 Dreamworks animation Puss in Boots and it’s amazing film score by the talented English film composer Henry Jackman.
Produced by Guillermo del Toro and directed by Chris Miller, this spin-off prequel to the Shrek franchise features music which plays to the comedy, excitement, adventure, spirit and magic of this imaginative fairytale. Inspired by one of the most important Spanish composers of the 20th Century, Manuel de Falla, Henry Jackman used folk instruments from Latin America and blended the incredible guitar talents of Mexican duo Rodrigo y Gabriela with an orchestral palette influenced by Debussy and Ravel to create the score.
It is our pleasure to guide you through this under-appreciated and rarely talked about underscore, so sit back, relax, tap your feet and enjoy our 12th Score Guide as we explore the highly rhythmic and melodic instrumentation on show here, discussing all our favourite themes and musical moments whilst providing you, our attentive and gracious listener, with an entertaining and informative accompaniment to one of our favourite Henry Jackman scores.
Link to the relaxed, entertaining and enjoyable podcast Talk and Trivia with J&J!
Puss in Boots Sony Classical (2011)
00:00 – Intro Tag: Rob & Jordan Dodson
07:17 – 1. A Bad Kitty
09:11 – 2. One Leche
11:14 – 3. Jack and Jill
12:54 – Accordion Source Music
13:32 – 4. Holy Frijoles
15:31 – 5. Chasing Tail
17:17 – 6. Diablo Rojo (Written and Performed by Rodrigo y Gabriela)
19:59 – 7. Humpty Dumpty & Kitty Softpaws
21:09 – 8. The Orphanage
24:25 – 9. Honor and Justice
26:07 – 10. That Fateful Night
28:28 – 11. The Wagon Chase
29:33 – 12. Team Effort
30:18 – 13. Planting the Beans
32:23 – 14. The Magic Beanstalk
34:20 – 15. Castle in the Clouds
36:05 – 16. Golden Goose of Legend
39:26 – 17. Hanuman (Written and Performed by Rodrigo y Gabriela)
Join Will and Wend for their score guide on the very deservedly, multiple award-winning film score to The Artist, by the extremely gifted film composer Ludovic Bource.
We’ve mentioned in the last couple of episodes how thoughtful composers have to be when scoring to dialogue, but what if the dialogue wasn’t there? This classy, sophisticated and much-loved film soundtrack will give us the answer.
Despite some tough competition in 2011, The Artist remains to this day our favourite score of that year and we cannot wait to dive in to it with you our ever-attentive listener! So, sit back, relax and enjoy the show as we explore the score’s themes, stylish instrumentation from the Golden Age of Hollywood, and gush over all the remarkable film music on display here, whilst providing you, our wonderful audience, with our most in-depth film score analysis so far!
The Artist Sony Classical Records (2011)
00:00 – Intro Tag: Benson Farris
11:26 – 1. The Artist Ouverture
13:30 – 2. 1927: A Russian Affair
17:07 – 3. George Valentin
19:59 – 4. Pretty Peppy
22:12 – 5. At the Kinograph Studios
24:07 – 6. Fantaisie d’amour
25:43 – 7. Waltz for Peppy
27:01 – 8. Estancia Op. 8 Movement 2 (Written by Alberto Ginastera)
29:32 – 9. Imagination (Performed by Red Nichols & His Five Pennies)
30:56 – 10. Silent Rumble
32:58 – 11. 1929
35:01 – 12. In the Stairs
36:37 – 13. Jubilee Stomp (Performed by Duke Ellington)
37:59 – 14. Comme une rosée de larmes
40:23 – 15. The Sound of Tears
41:36 – 16. Pennies from Heaven (Performed by Rose Murphy)
43:05 – 17. 1931
44:30 – 18. Jungle Bar
46:31 – 19. L’Ombre des flammes
48:52 – 20. Happy Ending…
51:42 – 21. Charming Blackmail
52:58 – 22. Ghosts from the Past
55:27 – Bernard Herrmann’s ‘Scène d’amour’ from Vertigo
57:49 – 23. My Suicide (Dedicated to 29 March 1967)
For the 10th Score Guide episode, Will and Wend discuss composer Howard Shore‘s delightful score from the 1993 comedy film Mrs. Doubtfire.Join us as we explore instrumentation, gush over all the truly beautiful music written for this film whilst providing you, our wise and keen-eared listener, with an entertaining and informative accompaniment to this under-appreciated and oft-forgotten gem of a film score.
Mrs. Doubtfire Fox Music (1993)
00:00 – Intro Tag: Rob Rawdon
06:50 – 1. Mrs. Doubtfire
09:07 – 2. Divorce
11:56 – 3. My Name is Else Immelman
12:05 – Lydian Mode
15:41 – 4. Meeting Mrs. Doubtfire
17:53 – 5. Tea Time with Mrs. Sellner
20:15 – 6. Dinner is Served
23:11 – 7. Daniel and the Kids
24:41 – 8. Cable Cars
28:35 – 9. Bridges Restaurant
30:44 – 10. Show’s Over
33:40 – 11. The Kids Need You
35:29 – 12. Figaro (Performed by Robin Williams)/Papa’s Got a Brand New Bag (Performed by James Brown)
Link to Victoria Sampson talking about her work as an ADR Supervisor for such films as Return of the Jedi and Indiana Jones on Episode 72 of Skywalking Through Neverland.
Join Ian, Will and Wend for the second episode of “In Defence of” where they defend and discuss the 2008 Warner Brothers film directed by The Wachowskis, Speed Racer, and it’s wonderfully adventurous and imaginative score by Michael Giacchino. Based on the Japanese animation Mach GoGoGo, this poorly-received film faced tough competition upon release and hopefully we can persuade all you lovely listeners out there to rewatch and reconsider your opinion of this beautifully-made and visually-stunning movie!
Join Will & Wend as they lead you through the beautiful yet creepy musical landscape James Newton Howard crafted for The Village. Guiding you through each track of the 2004 Varèse Sarabande album release, they discuss the themes, instrumentation and intelligent approach of the composer, gush over the wonderful performance by solo violinist Hilary Hahn and present you the listener with an informative and entertaining accompaniment through the emotionally-charged score to the psychological thriller by M. Night Shyamalan!
Link to M. Night Shyamalan and James Newton Howard discussing the score to The Village
Welcome to the first episode of our new show “In Defence of” where we´ll be unashamedly defending pop culture´s underdogs from the cold, hard realities of a harsh and critical web.
Join Ian, Will and Wend, as they try to convince you, the discerning listener, why Bryan Singer´s Superman Returns and the score John Ottman wrote for it, is nowhere near as bad as you may have either heard or remember, and is in fact, awesome!
We’ve rebooted the Sideshow Supplementals, and renamed them Score Guide, an updated version of the standalone shows we released last year, keeping with the established format, while adding new content – including listener submitted comments, guest appearances, and more! In the first Score Guide episode of 2015, your familiar hosts Wendell and Will are joined by Ian Crabb and Rob Dodson, to discuss David Arnold‘s stellar score to 1994’s Stargate. We’ll be exploring themes, discussing our favourite musical moments, and providing you with an entertaining accompaniment to one of the most renowned science fiction film scores in cinematic history.
Link to Ian Crabb’s insightful interview with David Arnold’s Sherlock writing partner Michael Price
Stargate: The Deluxe Edition Varèse Sarabande (2006)
In Part 1 of our look at the music of the X-Men franchise, Will and Wend sit down with their good friend, soundtrack aficionado, writer, petrolhead, and all around great guy – Ian Crabb, to discuss the first four film scores!
Join Will and Wend as they explore the fantastic score to 1991’s The Addams Family, written by composer Marc Shaiman. They’ll be identifying themes, exploring their favourite musical moments, and providing you with an entertaining accompaniment to this macabre classic!
Will and Wend kick off the Halloween season by discussing three Halloween scores that are often overlooked. We begin with a modern anthology horror featuring a spooktacular score by Douglas Pipes. Trick ‘r Treat is melodically easy to follow and perfectly captures the spirit of Halloween. The second film score we look at is The Orphanage by Fernando Velázquez,a film composer that shows us you don’t always have to be over-the-top when writing for the horror genre, you can still write beautiful music. The El Orfanato score speaks more to the sadness of the children in-film than the horrors that lie in wait for them. Finally, we discuss Danny Elfman’s Sleepy Hollow score. No stranger to Halloween music, this dark realm of Tim Burton’s shows the composer’s clearly adept at scoring horror movies. We strongly encourage you to revisit all three of these underrated Halloween soundtracks and experience the thrills, chills and kills all over again!
Will and Wend discuss composer Alan Silvestri‘s score to Who Framed Roger Rabbit. Moving through each track in turn, they’ll be identifying themes, exploring their favourite musical moments and providing you the listener with an entertaining guide to this toontasticfilm score!
Who Framed Roger Rabbit Walt Disney Records Reissue (2002)
00:00 – Intro Tag: Chad Hopkins
05:11 – 1. Maroon Logo
06:01 – 2. Maroon Cartoon
07:10 – 3. Valiant & Valiant
10:24 – 4. The Weasels
12:13 – 5. Hungarian Rhapsody (Dueling Pianos)
15:01 – 6. Judge Doom
16:35 – 7. Why Don’t You Do Right? (Performed by Amy Irving)
18:07 – 8. No Justice for Toons
19:59 – 9. The Merry-Go-Round Broke Down (Roger’s Song) (Performed by Charles Fleischer)
21:56 – 10. Jessica’s Theme
24:01 – 11. Toontown
26:29 – 12. Eddie’s Theme
30:04 – 13. The Gag Factory
33:13 – 14. The Will
34:08 – 15. Smile, Darn Ya, Smile! (Performed by Toon Chorus)
Join Will & Wend (a couple of zarkin’ froods) LIVE onboard a spaceship they’ve just hitched a ride on in Galactic Sector ZZ9 Plural Z Alpha, to discuss composer Joby Talbot‘s interstellar score to Douglas Adams‘ “The Hitchhiker’s Guide to the Galaxy“. Discussing each track in turn, they’ll be identifying themes, exploring their favourite musical moments and having a wholly remarkable time being your guides through this spectacularfilm score. Insert your babel fish, towel at the ready and whatever you do, DON’T PANIC!
Written by Will Dodson & Wendell Jones and starring Alexander Stobbs as “The Book”.
The Hitchhiker’s Guide to the Galaxy Hollywood Records (2005)
00:35 – 1st Book Entry
06:45 – 1. The Dolphins
08:29 – 2. So Long & Thanks for All the Fish (Performed by Hilary Summers, Kemi Ominiyi & The R’SVP Voices)
11:26 – 3. Arthur Wakes Up
13:13 – 4. Shoo-Rah! Shoo-Rah! (Performed by Betty Wright)
13:39 – 5. Here I Am (Come and Take Me) (Performed by Al Green)
14:11 – 6. Destruction of Earth
16:21 – 7. Journey of the Sorcerer
17:53 – 8. The Hitchhiker’s Guide to the Galaxy
18:57 – 9. Inside the Vogon Ship
21:13 – 10. Vogon Poetry
23:58 – 11. Space
24:40 – 2nd Book Entry
28:02 – 12. Vogon Command Centre
28:42 – 13. Trillian & Arthur Reunited
31:22 – 14. Pan Galactic Gargle Blaster
32:28 – 15. Tea in Space
33:29 – 16. Deep Thought
36:42 – 17. Infinite Improbability Drive
37:24 – 18. Viltvodle Street Music
37:59 – 19. Huma’s Hymn (Performed by Gabriel Crough)
39:13 – 20. Capture of Trillian
40:53 – 21. Vogcity
41:46 – 22. Love
43:49 – 23. The Whale
46:16 – 24. Planet Factory Floor
48:27 – 25. Earth Mark II
50:12 – 26. Magic Moments (Performed by Perry Como)
50:44 – 27. Shootout
52:13 – 28. Finale
53:40 – 29. Blast Off
54:46 – 30. So Long & Thanks for All the Fish (Reprise) (Performed by Neil Hannon)
55:51 – 31. Careless Talk
56:34 – 32. Vote Beeblebrox (Performed by Neil Hannon, Douglas Payne, Andy Dunlop, Miggy Barradas, Chuck Norman, Hannah Thomas and Fran Balke)
57:38 – 33. Reasons to be Miserable (His Name is Marvin)
Will and Wend discuss composer Alan Silvestri‘s score to Beowulf. Discussing each track in turn, they’ll be identifying themes, exploring their favourite musical moments and having a boatload of fun being your guides through this amazing score.
We also announce the winner of last week’s competition!
Beowulf Warner Bros. Records (2007)
04:37 – 1. Beowulf Main Title
07:52 – 2. First Grendel Attack
11:19 – 4. What We Need Is a Hero
12:38 – 5. I’m Here to Kill Your Monster
14:29 – 6. I Did Not Win the Race
17:01 – 7. A Hero Comes Home (Performed by Robin Wright-Penn)
17:06 – 3. Gently As She Goes (Performed by Robin Wright-Penn)
18:03 – 8. Second Grendel Attack
19:59 – 9. I Am Beowulf
21:49 – 10. The Seduction
25:09 – 11. King Beowulf
27:00 – 12. He Has a Story to Tell
28:04 – 13. Full of Fine Promises
30:27 – 14. Beowulf Slays the Beast
32:04 – 15. He Was the Best of Us
33:38 – 16. The Final Seduction
35:52 – 17. A Hero Comes Home – End Credits Version (Performed by Idina Menzel)
Will and Wend discuss a film score they both share a love for – Independence Day. They’ll be identifying themes, exploring their favourite cues and having an absolute blast being your guides through composer David Arnold‘s masterpiece!
Join us for a celebration of the music behind some of our favourite Muppets films. Will starts the show by interviewing How Adorkable TV‘s Rachel Herrick, where they discuss puppetry, touring round SoCal with the puppet company Swazzle, favourite characters, films and songs from The Muppets, taking a workshop with Sesame Street, and the legacy of the amazing Jim Henson.
Ahoy, mateys! Join us as we set sail for the pirate-inspired, soundtrack waters we love! Cap’n Dodson and shipmates Wend and Xander discuss Brian Tyler’s video game soundtrack for Assassin’s Creed Black Flag and the first four Pirates of the Caribbean film scores by film composer Hans Zimmer and Klaus Badelt. To finish, our Captain guides us through the Pirates of the Caribbean ride in Adventureland, Magic Kingdom at Walt Disney World, featuring the song “Yo Ho (A Pirate’s Life for Me)”, the most iconic piece of pirate music in pop culture today, written by George Bruns and X Atencio, and based on Robert Louis Stevenson’s sea shanty “Dead Man’s Chest” from Treasure Island.
They also briefly touch on Bear McCreary’s Black Sails music, and present their honourable mentions to the crew, including Cutthroat Island by John Debney, the masterclass that is Treasure Planet by James Newton Howard, Harry Gregson-Williams’ Sinbad Legend of the Seven Seas, Muppet Treasure Island by Hans Zimmer, The Goonies by Dave Grusin and The Sea Hawk by Erich Wolfgang Korngold for good measure.
Enjoy the show ye scallywags or you’ll walk the plank! Arrr!
2:17 – Assassin’s Creed IV: Black Flag
22:03 – Pirates of the Caribbean: The Curse of the Black Pearl
27:40 – Pirates of the Caribbean: At World’s End
33:38 – Pirates of the Caribbean: Dead Man’s Chest
44:28 – Pirates of the Caribbean: At World’s End
49:23 – Pirates of the Caribbean: On Stranger Tides
In our 4th episode, we discuss the incredible filmography and music of Disney’s Pixar. We each bring one of our favourite film scores to the table including Michael Giacchino’s The Incredibles (his first Pixar film) and Academy Award-winning score Up, Finding Nemo by Thomas Newman, and lastly, Monsters, Inc. by the underappreciated film composerRandy Newman.
In Part 2 ofThe Music of Star Wars, we take a look at some of our favourite cues from John Williams‘ film scores to the Star Wars prequel trilogy. We also discuss who we’d like to see score the upcoming standalone films.
Join us for the debut episode of Sideshow Sound Radio, as we discuss the film scores that inspired each of us to become composers.
Starting with the symphonic and unashamedly emotional Star Trek First Contact score by Jerry Goldsmith and his son Joel Goldsmith, featuring an amalgam of almost all the Star Trek themes the film composer brought to the franchise including two new thematic gems, we go on to discuss the extremely underrated Thomas Newman and his intimate and well-crafted Meet Joe Black score featuring the heartbreaking cue “That Next Place”. Next, we discuss Frank Herbert’s Dune Soundtrack by Graeme Revell and the untraditional orchestration the composer used to help reflect the story of the three-part sci-fi mini-series, and finally, Danny Elfman’s dark, memorable, and tone-setting Batman 1989 score, orchestrated and conducted by the film score genius that was Shirley Walker.
2:06 – Our composing backgrounds
6:01 – Star Trek: First Contact
17:53 – Meet Joe Black
26:13 – Frank Herbert’s Dune
34:12 – Batman (1989)
Links from this episode:
Interview with film composer Graeme Revell on creating the music for “Frank Herbert’s Dune” (2000)
Danny Elfman’s amazing 1990 open letter to Micah Rubenstein as mentioned in this episode